Talking with Eadfrith

Nov. 28, 2012

The problem with an "as you go" blog is that you see not just your triumphs, but your areas in need of improvement, a warts and all affair. I decided to add some darker outlining near the top cross which is not successful; it will require judicious use of artists' tape and perhaps the light touch of a blade here and there to correct.What is successful is the overall look of the upper right quadrant with the lettering and pink background which gives a better idea of the final work.

While waiting for Sue today (reminder to readers: Sue = wife) at the doctor's office to get help for her malady, I studied some of the carpet pages from the Lindisfarne Gospels.  It was apparent that artist, Eadfrith, struggled with some of the same problems I do, lines that don't quite meet across the juncture of a knot or open just slightly approaching another crossing point. I felt an odd sense of relief that after 1300 years, culture, tools, and our surroundings have changed but we faced the same artistic challenge.  It was a common element that gave the feeling of communication with a great master across time.